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Robert Blog...
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 a slow walk through every story​.

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6/30/2026 7 Comments

The Mannikin” (Weird Tales, April 1937)

Bloch, Robert. “The Mannikin.” Weird Tales, April 1937, pp. 441-452.
https://archive.org/details/Weird_Tales_v29n04_1937-04_sas/page/n57/mode/2up

The unnamed narrator, on a break between semesters at then university where he teaches, vacations in Bridgetown, which is known for its natural beauty and excellent fishing. He bumps into an old familiar from his own college days, Simon Maglore, a friend whom he has not seen in years. Maglore seems friendly enough, but he has aged poorly. The physical deformity on his back has grown immensely, and his face reflects accumulated stress. The narrator is worried for his friend and decides to visit him. At the door, Maglore angrily shouts at him to leave, his whole bearing agitated and alarming. The narrator asks around town about him, and most people there hold a very low opinion of Maglore, saying he and his family are involved in all manner of occult activities. 

The narrator chalks that up to rural and ignorant prejudice. He visits his Maglore again, and Maglore seems better at first. Then he begins speaking about his research into witchcraft and, especially, familiars. His ideas are so alarming that the narrator decides not to wait for him to ask for help. He brings a doctor to Maglore’s house the next day, and they find Maglore dead. The narrator reads some of Maglore’s most recent writing and it tells of the thing on his back, how it has been controlling him, making him do terrible things with worse to come. The final image in the story is of Maglore in a pool of blood on the floor and the thing on his back—the thing that people assumed was a deformity—was actually a being feeding on Maglore the whole time. 

I have been keeping a list of the books mentioned in Bloch’s stories as I conduct this blog. A new one in this story is not one that Bloch or another participant in the Cthulhu Mythos invented, although it sounds as if it easily could have been. De Masticatione Mortuorum in Tumulis (1734) by the Lutheran pastor Michael Ranft (1700-1774) sat on Simon Maglore’s shelf next to Ludvig Prinn’s masterwork and also Cabal of Saboth and Mycroft’s Commentaries on Witchcraft. Only Ranft’s book is real. He began his study of the hungry dead after hearing stories about corpses that devoured the linen in their caskets The title of his book is translated as On the Chewing of the Dead in Their Tombs. (It just trips off the tongue, doesn’t it?) Amazingly, this was not the first book to use that title. In 1679, Philip Rehruis published a short book using that title. Vampire historians (in both senses of the phrase, presumably) have looked to the Ranft book especially as expressing a credible foundation for the idea that dead bodies could spring to life and, at time, begin chewing hungrily. For the Bloch story, those in the know would see this title and be one step closer to the truth of Maglore’s predicament. Once we find out that his research is on with familiars, we already see this ending coming: “'There was Maglore, on the floor, in all that blood. He was naked to the waist, as I have said; and he lay face downward. But on his back was the 'Thing, just as he had described it. And it was that little monster, afraid its secrets would be revealed, that had climbed a trifle higher on Simon Maglore’s back, wound its tiny black paws around his unprotected neck, and bitten him to death” (452). 

7 Comments
Matthew Bradley link
7/6/2026 09:31:34 am

This is, to the best of my knowledge, the earliest Bloch story adapted for the screen, as an eponymous 1977 episode of the Canadian anthology series <i>Classics Dark and Dangerous</i>. Not only was the story updated to the present, but Simon received a sex change and is now singer Simone, played by Ronee Blakley, who wrote and performed her own songs, as she had in Robert Altman’s <i>Nashville</i>. Co-starring were Cec Linder (Felix Leiter in <i>Goldfinger</i>) as her doctor and Keir Dullea (<i>2001: A Space Odyssey</i>) as a psychologist who runs afoul of the BEM that emerges from her back.

Reply
Bill Gillard
7/7/2026 02:09:23 pm

Hi, Matthew.
I think you are right about this being the earliest story every adapted for the screen!
This is a very different version of "The Mannikin," for sure, and it is fun to look for ways that Bloch's thinking about the plot and characters changed in four decades.
Only two years ago, I really struggled to find a decent print of that Classic Dark and Dangerous episode. I found one that was grainy and with terrible sound, and that;s all I had to go on. Now there is a MUCH higher quality version of that show on YouTube. Blakely's songs really shine with the better-quality sound.
https://www.youtube.com/watch?v=d_oGVUWfvFE

The whole idea of that Canada Educational TV series is so very, very cool. They adapted only six stories for the short-lived series. What an eclectic assortment!
• “The Adventure of Silver Blaze” by Arthur Conan Doyle
• “The Rocking-Horse Winner” by D. H. Lawrence
• “The Ugly Little Boy” by Isaac Asimov
• “The Island” by L. P. Hartley
• “Mrs. Amworth” by E. F. Benson
• “The Mannikin” by Robert Bloch
I think all of them are here on YouTube--thank you to tainlor (the person who posted them)!
https://www.youtube.com/watch?v=8l7hs0tRCCo&list=PLjVRVyRgpZFJSyxGZkSPtuxh0oz4V5Lhk

I don't know Benson's work at all, but his Wikipedia page makes me want to find some:
Benson was also known as a writer of atmospheric and at times humorous or satirical ghost stories, which often were published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, twenty of which were illustrated by Edmund Blampied. These "spook stories", as he called them, were reprinted in collections by his principal publisher Walter Hutchinson. His 1906 short story "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times.

This is such a fun story!

Reply
Matthew Bradley link
7/8/2026 08:58:20 am

Yes, I remember Benson's story well as a segment of the classic British anthology film Dead of Night, with the great Miles Malleson as the hearse driver.

All six episodes are indeed on YouTube, and "eclectic" is certainly the word. Much as I love Holmes, with so many great actual horror stories out there, it seems odd to include "Silver Blaze" as one of the six.

Your reference to "Bloch's thinking about the plot and characters" suggests that he adapted it himself, but while Wikpedia asserts as much, I've never seen any reputable indication that he did. You'll notice that although he's credited as the author of the original story, the screenwriter is uncredited; the searchable finding aid to the “Robert Bloch papers, 1885-1994” at the University of Wyoming’s American Heritage Center lists the script under "Writings by Others." Then again, being his biographer, perhaps you know something I don't, which would be of great help to my work-in-progress screen history of Bloch and the others in the legendary "Group" that included Charles Beaumont, Ray Bradbury, Richard Matheson, etc.

Reply
Bill Gillard
7/9/2026 05:45:27 pm

Hi, Matthew. Great point about the questionable origin of that teleplay. I wrote too quickly, I guess. There is no solid evidence that I am aware of that Bloch was in any way directly involved in that production. Maybe it was a bit of wishful thinking on my part because one of the things I really enjoyed in writing my book was to be able to see the evolution of Bloch's thinking when adapting his stories and characters for the screen. I am a Star Trek guy, and so those three Bloch-penned episodes, with their origins in old short stories, were fun to play with. Anyway, your note has really got me thinking!
And your book sounds amazing! Please let me know when it will be published. I am excited to read it!

Matthew Bradley link
7/10/2026 09:32:08 am

Hi, Bill. Tracing "the evolution of Bloch's thinking when adapting his stories and characters for the screen" is a marvelous angle that makes me look forward to your book even more. (Full disclosure: I have been asked to review it for Cinema Retro, and have requested a review copy from UPM.)

Re: Trek, you have once again piqued my curiosity. I knew that “Catspaw” was an uncredited and very loose adaptation of “Broomstick Ride,” but not that either “What Are Little Girls Made Of?” or “Wolf in the Fold” had "their origins in old short stories," unless, for example, in the latter case you meant that generally re: “Yours Truly, Jack the Ripper.”

As for my own book (The Group: Sixty Years of California Sorcery on Screen, 1951-2011), I appreciate the enthusiasm...but don't hold your breath. It's relatively close to being done, but I don't have a publisher, and at 600 pages, it may be unpublishable unless I do it myself, too ambitious a prospect to think about at the moment.

Reply
Bill Gillard
7/10/2026 11:50:54 am

Hi, Matthew.

600 pages for your book! Such a date range, too. Wow. That's a labor of love, for sure. Now I am really excited to read your book. I wish you the best of luck placing it somewhere. You've one guaranteed book sale right here!

I had a lot of fun with the Star Trek origins section of my book. "Catspaw" and "Broomstick Ride," for sure. I hope that "Queen of the Metal Men" sheds some light on for "What Are Little Girls Made Of?". And I had a lot of fun placing "Wolf in the Fold" into Bloch long-running conversation with Jack the Ripper and also with the idea that there can be body-hoping entities that can control one's will. The key moment for me in "Wolf in the Fold" is the scene I copied below which helps me to argue that Bloch's changing outlook on horror has allowed him to revise formerly supernatural/cosmic horror to more mundane sources. He has (mostly) moved past Enoch or Moloch or some other supernatural something scaring us. In "Wolf," unlike "Lizzie Borden Took an Axe" or "Slave of the Flames" or Enoch," Bloch seems to say in this Star Trek revision, that non-supernatural sources for horror are more than sufficient. The drift is repeated in both "Catspaw" and "WALGMO?" (that series of letters was fun to type!) Anyway, that's where my thinking has flowed, mostly. What do you think about all of that? Does any of that make sense?

COMPUTER: The Drella of Alpha Carinae Five derives nourishment from the emotion of love. There is sufficient precedent for existence of a creature, nature unknown, which could exist on emotion of fear.

SPOCK: Computer, extrapolate most likely composition of such entity.

COMPUTER: Working. To meet with specified requirements, entity would exist without form in conventional sense. Most probable mass of energy of highly cohesive electromagnetic field.

KIRK: Computer, could the described entity assume physical form?

COMPUTER: Affirmative. Precedent, mellitus, cloud creature of Alpha Majoris One.

HENGIST: Fairy tales. Ghosts and goblins.

KIRK: No, I've seen the mellitus myself. In its natural state, it's gaseous. When it's at rest, it's solid. Mister Spock, let's assume the existence of this creature.

http://www.chakoteya.net/StarTrek/36.htm

Reply
Matthew Bradley link
7/10/2026 12:11:02 pm

Makes sense, yes, although a synthesis of science and the supernatural, as with the Old Ones in "WALGMO?" (heh heh) and "Catspaw," can be interesting in its own right.

Now to seek a copy of the rarely reprinted "Queen"...

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